Finding the merest
crack in the pavement
lying there, dormant:
awaiting a rain drop
to loose the awn.
It is not wanted
here, or anywhere.
Nevertheless, here it is.
Moisture opens its seed coat.
(Always the loading dock,
never the grand entryway.)
It swells, pops;
out come cotyledons
and with those it gathers
rays of light and feeds itself
before the true leaves sprout.
Its root begins to crack
pavement, upend slabs of concrete.
Its secret: time, life.
How can mere aggregate
bar its way?
That which is not allowed
it is impossible to oppose.
We are delighted!
We are liberated from
the tyranny of your light
or erratic sleep
We are now noisy when we
want to be and we want to be
but you don’t want to know about this
So don’t read this!
I didn’t write it for you
just about you
as a sidebar
to my real feelings
which always come out most tellingly
in the cracks between
my actual text
So, did you let your children go to school
out of state? See, it’s only recently
we (that is, I) have realized where we
went wrong, jumped the track, so to speak.
We let them think they had a choice, could dream,
could choose their own path, their own life, when what
we wanted all along was that they choose
us. Well, me. My husband here does not agree.
Or, even more annoyingly, will not
say that he agrees, even if he does.
I’m too controlling, right? No. Wrong again.
But, see, to be freely chosen—we all
long for that—don’t we? I did’t choose to
feel this way about them. It just happened.
My tragedy? My husband chooses me,
but I choose them and they choose others,
callow girls of no particular charm.
They can’t hold a candle to me, my
ferocity undiminished by time—
in fact, concentrated, a gas leak waiting
to be lit and then—whoa!—watch out, sister!
I know. I KNOW! I can not win this fight,
yet fight I must. How can they forget me
like this, when all I can do any more
is remember them, remember when
they needed me and only me, without
me, they would have died. Or so it seems.
Now I need them to graciously pretend
Pretend I’m needed when I’m not, not now
anyhow, I serve as ornamental,
the family—all three generations
represented in this photo—see? That’s
me. I look the same in every picture,
my function fossilized, effectiveness
neutralized. They won’t listen to me!
I know what’s best for them, for me, they turn
their backs, wave me away, no agency
is left to me in this world. I don’t want
to leave them to it. They are so young,
so inexperienced in what decades
will throw at you. As if you get to choose
who to love and how and when to stop.
Her body, sharp points separated by
soft mounds of flesh. It’s her body, but his
story. Her ribs are his ladder up her
breastbone. Her tendons flying buttresses
holding up her head for him. Her heavy
water balloon breasts menace her Champs de
Mars abdomen, a Plain of Abraham
of conflicts old. Her thighs, thick, sinuous,
arrest his breath. The dimple of navel
rings all the bells in his head, heart, groin.
He positions her just so to create
the effect he wants to feel. Beautiful.
He has brought his taste forward, highlighted.
After the shutter clicks, she lowers her
arms, steps away and picks up her brush.
He has stolen nothing from her that she
has not freely given. She feels his awe
as communication. She paints back.
R. says her poetry is so beautiful,
clearest yet of all her writing.
J. says he’s sure her poetry will
“inform” her other writing.
B. says her stories are strange,
but about such an interesting person.
Y. says her talent is social,
which is to say, not narrative.
L. says she is not a prude,
but is it a good idea to go on record
using the f-word so freely?
N. hints that perhaps she doesn’t
realize how self-revelatory these passages are.
D. is certain that these new pieces
are a departure from her usual fare.
P. finds her characters enervating,
the denouements unearned.
She finds R., J., B., Y., L., N., D. and P.
to be full of